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Archive for the ‘Thriller’ Category

Elena, 2011, dir. by Andrey Zvyagintsev

Posted in 2011, Andrey Zvyagintsev, Crime, Dark comedy, Psychological Drama, Russia, Thriller on Thursday, February 21st, 2013 at 2:17 pm No Comments

Critics and admirers of Andrey Zvyagintsev’s “Elena” may find it easy to notice the obvious attributes of crime thriller, present in this film, but rarely seem to express their appreciation of its darkly comedic undertone.

Humor begins with the title, whose apparent similarity to the “arbitrarily chosen fist name” titles…

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Django Unchained, 2012, dir. by Quentin Tarantino

Posted in 2012, Dark comedy, Quentin Tarantino, Thriller, Western on Thursday, January 31st, 2013 at 11:09 am No Comments

It’s a great movie.

I’m not a Quentin Tarantino fan. I resent “Titus Andronicus” style of violence in film or any kind of dramatic or visual art, and I’m repelled by sadism and necrophilia in cinema. Quentin Tarantino has been delighting in torture since his debut as a filmmaker 20…

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Twin Peaks, 1990-1991

Posted in 1990, 1991, David Lynch, Featured, Mystery, Thriller, TV, United States on Monday, May 23rd, 2011 at 1:59 pm No Comments

The author of this essay is not a Twin Peaks fan: not only he resents the idea of fandom, but also finds Twin Peaks extremely imperfect. And yet, despite all its imperfections, Twin Peaks, without a doubt, is a great work of art, comparable in its importance with such…

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Scarlet Street, dir. by Fritz Lang, 1945

Posted in 1945, Featured, Film Noir, Fritz Lang, Thriller, United States on Tuesday, April 26th, 2011 at 10:00 pm No Comments

Every aspect of a truly artistic film (or a work of art in any medium) should in some way contribute to the key idea expressed in it. The title is no exception. An ideal title should serve as a metaphor for such idea and be constructed in a way…

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The Woman in the Window, 1944

Posted in 1944, Featured, Film Noir, Fritz Lang, German Expressionism, Thriller, United States on Tuesday, April 19th, 2011 at 5:55 pm No Comments

Many film connoisseurs mistakenly qualify “The Woman in the Window” as “minor Fritz Lang”, considering it more mainstream, less original and less art-like compared to Lang’s earlier “Der Müde Tod” (1921), “Dr. Mabuse, der Spieler” (1922), “Die Nibelungen” (1924), ”Metropolis” (1927) and “

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Spoorloos, dir. by George Sluizer, 1988

Posted in 1988, Featured, France, George Sluizer, Mystery, Netherlands, Psychological Drama, Thriller on Wednesday, March 23rd, 2011 at 5:18 pm 4 Comments

A note on the method: one of the key questions we must ask when analyzing any work of art is whether the artist expresses a pessimistic or optimistic point of view. It’s typically “either – or”, because the mixture of both is practically never even, and tends toward either…

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M, dir. by Fritz Lang, 1931

Posted in 1931, Featured, Film Noir, Fritz Lang, German Expressionism, Germany, Thriller on Tuesday, March 22nd, 2011 at 2:48 pm 1 Comments

Film storytellers who aim to make strong moral statements may choose to rely on extreme, controversial perspectives in order to get their message across. For example, Liliana Cavani in “The Night Porter” (1974), wishing to express the power of romantic love, selected a Nazi torturer and his female victim as…

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L’Arrivee d’un train, 1895

Posted in 1896, Documentary, Featured, France, Silent Films, Thriller on Wednesday, March 16th, 2011 at 4:12 am No Comments

My goal in writing this article is to prove that “L’Arrivee d’un train” is remarkable not merely as one of the early examples of moving image, but more importantly, as an early work of cinema as art – thanks to its profound philosophical controlling idea. I know the film in…

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  • L’Arrivee d’un train, 1895
  • L’Arrivee d’un train, 1895