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Elena, 2011, dir. by Andrey Zvyagintsev

Posted in 2011, Andrey Zvyagintsev, Crime, Dark comedy, Psychological Drama, Russia, Thriller on Thursday, February 21st, 2013 at 2:17 pm No Comments
Elena, 2011, dir. by Andrey Zvyagintsev

Critics and admirers of Andrey Zvyagintsev’s “Elena” may find it easy to notice the obvious attributes of crime thriller, present in this film, but rarely seem to express their appreciation of its darkly comedic undertone.

Humor begins with the title, whose apparent similarity to the “arbitrarily chosen fist name” titles…

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Django Unchained, 2012, dir. by Quentin Tarantino

Posted in 2012, Dark comedy, Quentin Tarantino, Thriller, Western on Thursday, January 31st, 2013 at 11:09 am No Comments
Django Unchained, 2012, dir. by Quentin Tarantino

It’s a great movie.

I’m not a Quentin Tarantino fan. I resent “Titus Andronicus” style of violence in film or any kind of dramatic or visual art, and I’m repelled by sadism and necrophilia in cinema. Quentin Tarantino has been delighting in torture since his debut as a filmmaker 20…

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The Saga of Gösta Berling, 1924, dir. by Mauritz Stiller

Posted in 1924, Mauritz Stiller, Psychological Drama, Romance, Sweden on Monday, February 27th, 2012 at 3:05 pm No Comments
The Saga of Gösta Berling, 1924, dir. by Mauritz Stiller

A spiritual being, thrown into the material reality, inevitably becomes traumatized, mutilated.  Similarly to how in Japan they used to bind little girls’ feet, to conform to the notion that the feet of a fashionably attractive woman must be small (rendering an adult Japanese “beauty queen” practically a disabled…

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Madame de…, dir. my Max Ophuls, 1953

Posted in 1953, Featured, France, Italy, Max Ophuls on Sunday, August 14th, 2011 at 5:03 pm No Comments
Madame de…, dir. my Max Ophuls, 1953

This essay is written by a guest author, Yana Skrynnik.

*  *  *

Madame de… Who is she? In the beginning of the film we see her as a high society woman, leading a rather empty, frivolous life, defined by the norms and customs of her environment. She’s attached…

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Efter repetitionen, dir. by Ingmar Bergman, 1984

Posted in 1984, Ingmar Bergman, Psychological Drama, Sweden, TV on Tuesday, May 24th, 2011 at 1:05 am No Comments
Efter repetitionen, dir. by Ingmar Bergman, 1984

I once met a rather well-educated and experienced film critic who told me that in her opinion, Ingmar Bergman’s films of the later period were way too complex to be ever understood by any audience, no matter how sophisticated and intellectually advanced. According to that critic, “Efter repetitionen” (“After…

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Twin Peaks, 1990-1991

Posted in 1990, 1991, David Lynch, Featured, Mystery, Thriller, TV, United States on Monday, May 23rd, 2011 at 1:59 pm No Comments
Twin Peaks, 1990-1991

The author of this essay is not a Twin Peaks fan: not only he resents the idea of fandom, but also finds Twin Peaks extremely imperfect. And yet, despite all its imperfections, Twin Peaks, without a doubt, is a great work of art, comparable in its importance with such…

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Scarlet Street, dir. by Fritz Lang, 1945

Posted in 1945, Featured, Film Noir, Fritz Lang, Thriller, United States on Tuesday, April 26th, 2011 at 10:00 pm No Comments
Scarlet Street, dir. by Fritz Lang, 1945

Every aspect of a truly artistic film (or a work of art in any medium) should in some way contribute to the key idea expressed in it. The title is no exception. An ideal title should serve as a metaphor for such idea and be constructed in a way…

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Michurin, dir. by Alexander Dovzhenko, 1948

Posted in 1948, Alexander Dovzhenko, Biography, Russia on Wednesday, April 20th, 2011 at 10:20 am 1 Comments
Michurin, dir. by Alexander Dovzhenko, 1948

At a first glance this film may give you a strong impression of being merely a piece of communist propaganda. Marxist ideology and materialistic philosophical notions seem to permeate every scene and every bit of dialogue. Characters in this movie shout a lot, and seem to express their political…

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The Woman in the Window, 1944

Posted in 1944, Featured, Film Noir, Fritz Lang, German Expressionism, Thriller, United States on Tuesday, April 19th, 2011 at 5:55 pm No Comments
The Woman in the Window, 1944

Many film connoisseurs mistakenly qualify “The Woman in the Window” as “minor Fritz Lang”, considering it more mainstream, less original and less art-like compared to Lang’s earlier “Der Müde Tod” (1921), “Dr. Mabuse, der Spieler” (1922), “Die Nibelungen” (1924), ”Metropolis” (1927) and “

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Mona Lisa, by Leonardo da Vinci

Posted in Italy, Leonardo da Vinci, Mona Lisa, Off-topic, Painting on Saturday, April 16th, 2011 at 9:22 pm 1 Comments

Leonardo da Vinci’s Mona Lisa (“La Gioconda”, c. 1503-05, Louvre) is arguably the most famous visual representation of a threshold guardian archetype in the history of the Western art. Incidentally, Elisabeth (Lisa), means “God is my vow”, which could also be interpreted as “consecrated to God”. Spiritually enlightened human…

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12 Angry Men, dir. by Sidney Lumet, 1957

Posted in 1957, Courtroom Drama, Featured, Mystery, Psychological Drama, Sidney Lumet, United States on Thursday, April 14th, 2011 at 11:25 am 2 Comments
12 Angry Men, dir. by Sidney Lumet, 1957

Works of art in any medium, including film, may be sorted in two broad categories according to the methods chosen by their creators: art addressing intellect and art targeting emotions. Having stated that, I feel I must immediately emphasize that intellectual art obviously doesn’t preclude emotions, and neither is…

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Dogtooth, dir. by Yorgos Lanthimos, 2009

Posted in 2009, Dark comedy, Featured, Greece, Parable, Psychological Drama, Yorgos Lanthimos on Saturday, April 2nd, 2011 at 2:50 am No Comments
Dogtooth, dir. by Yorgos Lanthimos, 2009

I want to begin by deciphering the meaning of the film’s iconic logo, used in its opening credits and posters. If we understand the meaning of that image, it will be a lot easier to recognize the message conveyed in this work of cinematic art. Here’s the full image,…

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Spoorloos, dir. by George Sluizer, 1988

Posted in 1988, Featured, France, George Sluizer, Mystery, Netherlands, Psychological Drama, Thriller on Wednesday, March 23rd, 2011 at 5:18 pm 4 Comments
Spoorloos, dir. by George Sluizer, 1988

A note on the method: one of the key questions we must ask when analyzing any work of art is whether the artist expresses a pessimistic or optimistic point of view. It’s typically “either – or”, because the mixture of both is practically never even, and tends toward either…

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La Pianiste, dir. by Michael Haneke, 2001

Posted in 2001, Austria, Featured, France, Michael Haneke, Music, Psychological Drama, Romance on Wednesday, March 23rd, 2011 at 3:33 pm No Comments
La Pianiste, dir. by Michael Haneke, 2001

There’s a certain type of predator whose function is to lure potentially enlightened people away from enlightenment.  The predator, socially deprived of traditional ways to achieve dominance, is motivated by the urge to dominate and will occupy the professional position of authority related to a certain spiritual phenomenon, and…

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Tristan, by Thomas Mann, 1903

Posted in 1903, Germany, Literature, Off-topic, Psychological Drama, Thomas Mann on Wednesday, March 23rd, 2011 at 12:51 pm No Comments
Tristan, by Thomas Mann, 1903

The novella is a warning. There exists a type of bourgeois whose method of mimicry makes him or her appear as an intellectual. That type of a person gains access to certain bits of high spiritual knowledge (ether by stealing it from true intellectuals or gaining whatever is publicly…

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  • Tristan, by Thomas Mann, 1903
  • Tristan, by Thomas Mann, 1903